Sleep In - SteadySleep In - AmorousSleep In - JanuaryI really want to hate
Sleep In. Not because I don't like the music - I do - and not because Hamish Duncan is a jerk - he isn't, at least, in my experience - but because he has accomplished so much with his music despite being only 19, thus making me look like a lazy, untalented jerk for also not putting out 4 full-length albums of shoegazey psychedelic meandering. Well, shoot.
And really, the whole discography is pretty grand. Incredibly solid. Unprecedentedly solid. It's a whole mess (in a good way) of genre-hopping/defying denies your (read: my) best attempts at pidgeonholing. It's noisy, it's trippy, it's vaguely catchy, it's expansive when it's not being minimal, it's straightforward when it's not being obtuse, and its the sort of thing that will take more than one listen to grasp (which is my excuse for not posting this much, much sooner after I said I would). From my experience, the whole Sleep In project is just a vast outpouring of ideas, the sort of project that really couldn't have existed, say, 10, even 5 years ago. Truly a product of the digital age, and certainly a musician who
understands what it takes to be a musician in this era and, furthermore, knows how to take advantage of it. You can grab Sleep In albums for
$1.75 from his
own label, Nightgull Records (oh, yeah, he runs a record label, too. At this rate, the next Sleep In release is going to be "the cure for cancer") or get a digital double-album from
Enemies List Home Recordings for $5. I literally spent more on bus fare this morning.
I've posted some tracks from
Carnival - available with
Pyramid from Enemies List - to give you the best 'snapshot' of the Sleep In M.O. From the spacey, wintery jams of "January" to the straight-ahead psych-rocker "Steady" (
Magic Lantern would be proud (and also look for a disarmingly spot-on
Thurston Moore impression), it's incredibly diverse but smartly unified. You know, they way they
used to make albums.
Alright, quick one today, basically to tell you to go listen to this. Yeah, yeah, it's tagged "black metal", but only because "post-black metal" would be silly. But this really is beyond what you think of as black metal; absolutely recklessly creative. I could say a million more things about this but I don't feel all that qualified having only listened to it once. What I can say in absolute confidence is that there are exciting things happening in black metal once again, and it's all coming from an anonymous bedroom in San Francisco. Grim, huh? (Ok, maye not all of it, because the new Gnaw Their Tongues is fantastically out there for the genre, too). The whole thing is available as a "pay what you want" download or as a high-quality, limited to 150 vinyl record.
