Er, yeah. Just wanted to rap 'bout some of my favourite live moments from '09, which I had originally intended to do as part of my previous post(s). Oh well!
HANDS DOWN BEST CONCERT EXPERIENCE OF THE YEAR/MY LIFE AWARD
All Tomorrow's Parties 2009 - Kutsher's, Monticello, New York
All in all, it was one of those events, one of those eye-opening, not-life-changing-but-certainly-uh-really-great experiences. Really, it was a bit of a dream come true: 3 days in New York (and actually only my second time out of this country), staying at a hotel with an absurdly fantastic line-up of artists, playing music all-day (hats off to Oneida, who holed up in the bar the last day of the festival and literally jammed all day). Boredoms, Suicide, Deerhunter, Atlas Sound, Melvins, Boris, Shellac, Circulatory System, Black Moth Super Rainbow, The Feelies, Dirty Three, Grouper, Bob Mould with No Age, The Jesus Lizard, David Cross... it feels surreal just typing the [incomplete] list, but seriously... just, holy shit. I also left early on Monday morning, having bought bus tickets for the evening, so I could spend the day in New York City. Being the complete dork that I am I did spend half of it record shopping, but caught the essential sites by and large. Can't wait to do it again.
Highlight: My girlfriend asking Dominick Fernow (aka Prurient, and the owner of Hosptial Records, hands-down the best (er, only) store I've ever been to for noise/drone/whatever stuff - check it out if you're ever in the city) if he knew of any good ice cream places nearby, a question which he answered thoughtfully and politely, instead of screaming distorted S&M mantras at us like I had braced myself for.
BEST VALUE AWARD
Broken Social Scene - Harbourfront Centre, Toronto
Broken Social Scene is infinitely kind to their hometown. Last time I saw them in Toronto (the November previous to this show), they played for two-and-a-half hours, and the whole gang was there, even Emily Haines. And for some reasons, Brock Isaac from Modest Mouse was there too, and played a couple of his songs with the whole BSS crew backing him up. So how on Earth do you top that? How's abouts a free, outdoor show right on the lakeshore? And how about playing for two hours, bringing in literally every BSS collaborator (including the oft-absent Feist and filming the show for an upcoming movie? Hot damn!
Highlight: The all-too-rare performance of "Almost Crimes".
"OH MY GOD, IT'S REALLY THEM" AWARD FOR EXCELLENCE IN THE FIELD OF APPEASING MY FANBOYISM
SONIC YOUTH - Massey Hall, Toronto
I want to call Sonic Youth the most "solid" band I listen to, but "solid" carries with it impressions of overwhelming adequacy - I mean "solid" in the unwavering sense, like an old friend or favourite nightstand ("favourite nightstand"...?). Really, I can't flat-out say I "hate" any particular Sonic Outing: their occasionally ill-recieved early albums are incredible, Daydream Nation is one of very few records I dare call "perfect" (or, if you had talked to me in the month leading up to the show, "best fucking record ever goddamn recorded, motherfucker! SCREAMING SONIC LUV!"), their "pop" records are damn catchy and I think, in all seriousness and earnestly not just to be contrary to popular opinion and revel in my own fandom, NYC Ghosts & Flowers is a really great record (really). Ok, maybe The Eternal was just "solid" in the accepted meaning of the word ("Antenna" is grand, though), but they killed it live.
Sonic Highlight: "Death Valley '69". THEY DID "DEATH VALLEY '69".
DOUCHIEST AUDIENCE
ANIMAL COLLECTIVE - Sound Academy, Toronto
One part "recent superstardom", one part "inappropriate opening act", and one part "shitty venue" all came together into one decidedly unenjoyable mess of an evening, explained as follows:
Part one: I'm not going to be one of those "they suck since they got famous derp derp" asshats, it just so happens that Animal Collective changed as they got famous. Compare Merriweather Post Pavilion to Feels. Now imagine which would be more exciting live. The dancefloor-friendly anthems on MPP would probably be the obvious choice, but fact of the matter is that watching three young men fiddle with synthesizers for an hour isn't all that thrilling, and for some strange reason people only really got into the groove during "My Girls" and "Brother Sport", if "got into the groove" is taken as "spilled beer and stumbled in rhythm, sort of".
Part two: I like Grouper, I really do. I'd love to see her play in, say, a church or gallery, somewhere where the audience can sit and enjoy the atmospheric reverb-folk properly. Grouper should not be opening to a crowd with beer and "My Girls" and the inability to muster up the respect not to boo.
Part three: The Sound Academy is just the worst venue in the city, period. Nigh inaccessible without a car and stupidly laid out (if you're in the front row, it will literally take you 10-15 minutes to get out of the place). Blah.
OTHER RAD SHOWS OF 2009
THE HAPPINESS PROJECT - The Music Gallery, Toronto
Warm-and-fuzzy music by hyper-friendly musicians, at one of the more intimate and well run venues in the city.
MV+EE with WOODS - Whippersnapper Gallery, Toronto
Tiny space, tiny audience, but loud as hell and an all-around hippie-friendly, space-folky good time.
"TALES OF THE UNCANNY" - Yonge & Dundas Square, Toronto
Do Make Say Think, Final Fantasy and Robert Lippok joined forces to play a soundtrack to a silent horror film at a free outdoor show in the heart of downtown Toronto. Amazing, in concept and in execution.
FUCKED UP with WOMEN and VIVIAN GIRLS - The Phoenix, Toronto
Look, just go see Fucked Up if you ever get the chance, ok?
Ok, done reflecting - future ho!
music is ok
Showing posts with label Woods. Show all posts
Showing posts with label Woods. Show all posts
Wednesday, January 13, 2010
Monday, May 25, 2009
SHOW REVIEW: MV+EE w/ Woods, $100
Folk rock extravaganza at my favourite local art gallery for $10? Sign me up.
First and foremost: the Whippersnapper Gallery is a fantastic venue. It is easily accessible by public transit (I'm looking at you, Sound Academy), suitably intimate (read: small), and since it is, at its core, an art gallery, it makes for a lovely place to see a show. As if that weren't enough, there's a very nice bunch of folks who run this place, and do their best to support local talent at a minimal cost to both the artists and the visitors. Seriously, catch a show or exhibit or party or anything you can there; this place deserves your support.
As for the show, it opened with $100, a local alt-country band getting a decent amount of buzz about them lately. That being said, I can in no way appreciate the genre they play, so I don't feel as though I can fairly say anything about their performance another than "I didn't like it" and "the free nachos at the makeshift bar were delicious and free."
Woods were undoubtedly the band that people came to see, as the crowd ballooned to twice its size after $100. They're the latest little buzz band, I hear? Whatever, it's well deserved: these guys write some viciously catchy fuzzed-out folk-pop, and balance it nicely with some psychedelic/jam elements. And, as if I needed more reason to love them, their live tape... player? Performer? Tapist?... is wildly entertaining: some sort of noise S&M enthusiast, masking himself with sideways headphones and abusing the shit out of a pedal-board-cum-DJ-set-up-cum-noise-factory. But despite the image, his drones and squeals and back-up vocals were tasteful and subtle, and added a ton to their live show, especially when things got far out, man.
I was kinda saddened that literally 75% of people left before MV+EE even began setting up, but fuck 'em, the hipsters only missed out on a great set. (I must also shamefully admit I had to leave somewhat early to catch the last bus home) They played with whatever band it is they have now (I believe it's the Golden Road) and kicked out jams from Gettin' Gone and the recent Drone Trailer, with each song being twisted and stretched into extended country-fried jam sessions, the highlight for me being the reinterpretation of the folk song "Hammer", with Erika Elder sounding as lovely live as she does on record, and Matt Valentine grabbing the Telecaster for some downright heavy fuzz riffage.
In addition to playing amazing sets, both Woods and MV+EE are composed for an extremely friendly bunch of people who manned their own merch booths and were more than happy to have a chat, and seemed genuinely grateful to everyone who talked and bought merch (and, y'know, certain drummers from certain jam bands gave props to certain bloggers for wearing a certain Comus shirt, which was also cool (certainly).
Great bands, great sets, great venue, great nachos... what's not to like?
Check 'em out if they come to your neck of the woods, and definitely stop by the Whippersnapper if you're in the GTA.
P.S. sorry it's been all live reviews lately; I'll get back to the usual this week!
First and foremost: the Whippersnapper Gallery is a fantastic venue. It is easily accessible by public transit (I'm looking at you, Sound Academy), suitably intimate (read: small), and since it is, at its core, an art gallery, it makes for a lovely place to see a show. As if that weren't enough, there's a very nice bunch of folks who run this place, and do their best to support local talent at a minimal cost to both the artists and the visitors. Seriously, catch a show or exhibit or party or anything you can there; this place deserves your support.
As for the show, it opened with $100, a local alt-country band getting a decent amount of buzz about them lately. That being said, I can in no way appreciate the genre they play, so I don't feel as though I can fairly say anything about their performance another than "I didn't like it" and "the free nachos at the makeshift bar were delicious and free."
Woods were undoubtedly the band that people came to see, as the crowd ballooned to twice its size after $100. They're the latest little buzz band, I hear? Whatever, it's well deserved: these guys write some viciously catchy fuzzed-out folk-pop, and balance it nicely with some psychedelic/jam elements. And, as if I needed more reason to love them, their live tape... player? Performer? Tapist?... is wildly entertaining: some sort of noise S&M enthusiast, masking himself with sideways headphones and abusing the shit out of a pedal-board-cum-DJ-set-up-cum-noise-factory. But despite the image, his drones and squeals and back-up vocals were tasteful and subtle, and added a ton to their live show, especially when things got far out, man.
I was kinda saddened that literally 75% of people left before MV+EE even began setting up, but fuck 'em, the hipsters only missed out on a great set. (I must also shamefully admit I had to leave somewhat early to catch the last bus home) They played with whatever band it is they have now (I believe it's the Golden Road) and kicked out jams from Gettin' Gone and the recent Drone Trailer, with each song being twisted and stretched into extended country-fried jam sessions, the highlight for me being the reinterpretation of the folk song "Hammer", with Erika Elder sounding as lovely live as she does on record, and Matt Valentine grabbing the Telecaster for some downright heavy fuzz riffage.
In addition to playing amazing sets, both Woods and MV+EE are composed for an extremely friendly bunch of people who manned their own merch booths and were more than happy to have a chat, and seemed genuinely grateful to everyone who talked and bought merch (and, y'know, certain drummers from certain jam bands gave props to certain bloggers for wearing a certain Comus shirt, which was also cool (certainly).
Great bands, great sets, great venue, great nachos... what's not to like?
Check 'em out if they come to your neck of the woods, and definitely stop by the Whippersnapper if you're in the GTA.
P.S. sorry it's been all live reviews lately; I'll get back to the usual this week!
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