SHOW REVIEW: Wolves in the Throne Room w/ A Storm of Light, Krallice, & Thrones

Alright, updates should be back to normal now that, as of tomorrow, my school year is done (finally). And yeah, Tuesday updates aren't "normal", but I know all 4 of you are pining for something new to sate your need for my inimitable prose.

Normally, we all know the role of an opening band: to waste time before you get to see the band you paid to see. Ok, or bands the headliner respects and wants to expose to a wider audience, whatever. But by and large, these are not particularly groups you care about (my last show review completely notwithstanding, mind you.) Well, and to break some internal structure and acknowledge those last parentheses, this line-up was another exception: thee almighty eco-friendly epic black metal ensemble Wolves in the Throne Room, supported by A Storm of Light, Krallice and Thrones (just in case you didn't read the title, natch.)

A Storm of Light are a Neurosis-worshipping trio who, unsurprisingly, feature the ex-visuals... guy (visualist? visionary? visionsman?) from Neurosis themselves, who has also served stints in Red Sparowes and Battle of Mice, so the sludgy-credentials here are at waste-thick ooze out ofthat scene in Saw III with all the pig guts. (Which reminds me, I just saw Saw V, and how bullshit was that? (Along with Saws II-IV, mind you (but I digress!). Part of me wanted to think "oh my god, this is going to be so boss! And this album art is bomb, too, this will be the best damn thing since Isis!", while part of me knew that "all of these post-Neurosis bands are the same, ugh." Well, the latter turned out to be true, and while the female guest-vocals gave them some distinction, its by-and-large the same pseudo-atmospheric dirge tuned to drop-whatever.

(However, I did pick up their gorgeous Primitive North split with Nadja for a cheapo $20 (and you all laughed when I put off buying it!) and it's definitely worth your time, especially for the sidelong Nadja blissy, fuzzed-out drone that they do oh so well.)

Krallice were definitely set to impress, too, since they're the closest thing to a black metal supergroup since the short-lived Twilight, although curiously none of the members have any blackened credentials: the "ex-member of..." rollcall includes Astomatous, The Flying Luttenbachers, Orthrelm, and, inarguably the biggest draw, Colin Marston, of Behold... the Arctopus and several more-or-less interchangeable post-everything tech-wank bands. While I expected some sort of iffy, tech-black sort of deal, I was pleasantly surprised that there was nothing overly showy and the emphasis was on fierce, riff-heavy black metal. Shame about the minor sound problem (the vocals would overpower the stage-right speaker), but done well enough to spark my interest in the band. Well done.

By this point it seems like I could devote an entire entry to just listing the former projects of the acts on this bill: take Thrones, the solo project of Joe Preston. It would probably be easier to list the bands he hasn't worked with, but his resume includes tenures with the Melvins, High on Fire, Earth and Harvey Milk. And when you've played jackhammer on a Sunn O))) track, then no one will ever question your bad-assery again (and since apparently a bunch of you are questioning just how boss this guy is, he's loaded his everything with fucking bears.) Stylistically he was the odd-man out, opening with a lengthy drone/doom sort of thing that audibly confused some of the crowd, but this sort of thing is right up my alley, and goddamn did he make an oppressive layer of noise just looping his bass and fiddling with some samplers. Immensely powerful drones, followed by some extremely Melvins-esque "stoner rock" or whatever the tag is that one gives meaty-sounding, low-end heavy hard rock.

And finally, Wolves in the Throne Room have come out of whatever backstage ritual they were performing before the show and... well, carry it onto stage, as they dimmed the lights, lit candles, and cranked the fog machine to 11 to create a wicked atmosphere; this is how black metal is meant to be heard. For a bunch of outsider pseudo-hippies, Wolves can, to put it lightly, tear your fucking head of with raw black energy. Incredibly tight and remarkably aggressive compared to some of their recorded output, they were able to get heads a-banging' more thoroughly than any other band on the bill. (As a side note, $15 shirts are definitely the way to go; way to go, guys.)

For an open-minded metalhead, I'd dare you to find a better evening for $18.

Cover version extravaganza! Part one.

I basically wrote this just so I can share what has become one of my favourite covers ever, but then decided it could (potentially) become a nifty idea to come back to in future entries (i.e., when I am too lazy to do something original (woah, meta.)

The cover song is a funny thing. It used to be the primary type of single in the early days of the music industry, where songs by black musicians would be stolen, reworked (and usually totally pussied-up) and performed by white groups, earning ridiculous sums of money for zero effort. Now, it's not quite as common for a band's biggest hit to be a cover (lol Gary Jules), but what's most alarming is that a discomforting amount of modern covers are not recognized as covers by the [dang ol'] kids these days [who won't git off my lawn]. I cringe when I think of how many 14 year old girls think My Chemical Romance wrote "Desolation Row."

However, the "cover" can also be fascinating when a band completely reworks a song and actually makes it their own; it's a fantastic way of paying tribute to an influence. And these are the types of covers I will be presenting.

Today's pick is "Only Shallow" by Nadja, song originally by My Bloody Valentine (but you knew that, right?) Both bands are known for their huge wall-of-guitar sound, with mouldy molasses-thick fuzz, barely-there vocals and just generally loud-as-fuck all-consuming soundscaping. I imagine a brief bio of the coveree would be superfluous to most of y'all, but regarding the coverer: Nadja are a drone/doom duo comprised of Aidan Baker and Leah Buckareff based right here in Toronto (ok, right there in Toronto since I'm technically in a different city) and are, hands down, the most prolific drone-duo the city has ever seen (an oft challenged position, no doubt.) Not only do they have a fucking absurd amount of releases in an amazingly short amount of time, but they are almost unanimously high-quality.



With regards to the cover, I can't think of a band more fitting to cover thee almighty My Bloody Valentine (except maybe A Place to Bury Strangers). You can tell Nadja are deeply indebted to them, and their cover is a brilliant tribute. In a truly Nadjian move, the tempo has been halved; the [pseudo-]iconic opening drum roll of the song is slowed to a lazy pace, with the guitars and keyboard following suit. However, the slower speed works stunningly well here. Combined with the thousands of overdubs and no less than 5 fuzz pedals turned up to 12 (all figures are estimates), it proves to be even dreamier and more ethereal than the original. Completely mesmerizing, and completely worth the time for fans of either band, or folks who can dig a nice shoegaze tune in general.

Nadja - Only Shallow

Hey, whaddaya know, these cats just put out a whole record of covers. As always, buy what you like.