Showing posts with label black metal. Show all posts
Showing posts with label black metal. Show all posts

Thursday, May 26, 2011

you know it's b-a-d when I have to visit my own blog to remember my formatting

Vit - -
[black metal, sludge, doom]


Yeah, doom-laden blacksludge. It's the sort of record you have to slowly peel and grind off your skin after listening to it - it will do everything in its power to suffocate, bruise, drown, and otherwise oppress you and if you're the kind of cat who's still around after reading that genre checklist and soaking in that beautifully bleak cover art then you're the ideal to candidate to be locked up in that shack yourself (look closer & don't come back until you see it). Luckily, Vit are a part of the movement in black metal that has, sadly, only really come around recently, wherein a) outside influences are a-okay, and b) "oppressive" and "bruising" don't mean triple-digit BPM all the way through (wait, is that a-okay? Am I being untrue? Can black metal be "a-okay"?). The draw here, and what makes this album infinitely more engaging, is the use of dynamics. The slow passages, the clean passages, the ambient passages - once the riff does kick in, it's a hundred times more brutal after being teased at for minutes at a time. Likewise, there's a huge doom influence, making this a fairly plodding record throughout (plodding as a positive thing, natch) meaning that when the tempo is dialed up it's all the more electrifying. Really, I can't remember the last time "sort of fast" was this thrilling, but it just speaks to the expert sense of pacing from start to finish. Thrilling in a "I wish I was dead" sort of way.

Download/listen/stream.

Buy from Music Ruins Lives (ltd. to 100)

Tuesday, March 1, 2011

Kurdaitcha

Mamaleek - Kurdaitcha

[black metal, experimental]
Alright, quick one today, basically to tell you to go listen to this. Yeah, yeah, it's tagged "black metal", but only because "post-black metal" would be silly. But this really is beyond what you think of as black metal; absolutely recklessly creative. I could say a million more things about this but I don't feel all that qualified having only listened to it once. What I can say in absolute confidence is that there are exciting things happening in black metal once again, and it's all coming from an anonymous bedroom in San Francisco. Grim, huh? (Ok, maye not all of it, because the new Gnaw Their Tongues is fantastically out there for the genre, too). The whole thing is available as a "pay what you want" download or as a high-quality, limited to 150 vinyl record.

Download | Donate | Buy




Also, here's why I haven't been keeping up:

bear with me

Tuesday, February 15, 2011

untitled

Planning for Burial - (Untitled EP)
[doomgaze, black metal, post-rock]

It's a bit unnerving when one single band - or, for that matter, one single musician - can so deftly capture and combine all my favourite things about music at once. Planning For Burial has done that twice already in two decidedly different ways: once with the sprawling, heart-wrenching filthy post-gaze (whatever) Leaving and then again on the, relatively-speaking, clean-cut slowcore on the split with Lonesummer. The new single here - originally intended as a 7" which sadly never came into fruition - is self-described as a meeting of these sounds, but more than that, it's a perfection two. Opener "I Hope You Will Pick Me Out" is even more grim, ferocious and blissed out all at once than anything on Leaving, and "Annick" was basically born to break hearts, sounding like an even more low-key Low with guitar solos ripped straight from late-era Talk Talk (yeah, I know, right, could things get better?). This is probably going to start slipping into slack-jawed fanboyism (if it hasn't already), but really, check it out. No one is forging sounds as sublimely as this.

Download/stream/buy.
(Physical CD limited to 60 copies w/ exclusive extra-long alternate take of Leaving's soul-crushing eponymous closer.)

Tuesday, December 14, 2010

pretend nothing happened oh wait it didn't

Planning For Burial/Lonesummer - Split

[black metal/doomgaze/whatever]

Recommended if you like: the colour black, emotions [negative]



Preview for Planning For Burial Lonesummer Split by Planning For Burial

OR stream/download/buy the whole thing here.

If you're anything like me - and I daresay any casual readers here are - then genre-blending (done correctly) is something that probably tickles you in a way. Mount Eerie's Wind's Poem, for instance, was my favourite album last year thanks in no small part to its sublime and entirely natural fusion of black metal and Elverum's trademark timid folk. Now if we could just get John Darnielle to drop a hyperliterate death metal opus, we can officially be done with music. But until then, I guess, the search goes on.

Planning For Burial should be familiar as the project that released one of my other favourites from last year, Leaving, which melted together some of my favourite things in the world (post-rock, shoegaze, doom, black metal) into a lurching beast of a record. He's back, with no-fi necromancer Lonesummer, who plays bedroom black metal with a big helping of sad on top, and together they've put out a fucking downer of a record which, of course, I implore you to buy.

The Lonesummer half is possibly my favourite Lonesummer material to date, opening with the absolutely punishing )ironic old-timey radio samples aside) "Joy is a Burden" and sort of pulls off a black metal/noise fusion that I really thought Wold were going to do after all this "herp derp My Bloody Valentine meets black metal" bullshit I read but no no no this is much better, don't let the Wold comparison scare you off; this is what I wish Wold were like. Elsewhere, "I Wish I Could Delete Last Night" is the poppiest black metal track this year and will make a really neat song for your Myspace profile. And yeah, "Your Eyes Always Shake Me" is nothing like either of those either - essentially the ballad of his batch - and yeah, yeah, and yeah. This is black metal loves black metal as much as it loves telling it to go fuck itself.

The flip side is the first new Planning for Burial material in too long and dials back the kitchen sink approach of Leaving into a more focused set of tracks, which is refreshing because it really makes this EP feel separate from the rest of his canon so far, as an EP should. Glacially paced, morbid and brooding and dense fog music that downplays the (comparative) bombast of the full-length. "Sleeping in Separate Rooms" is an entirely gorgeous daydream, all blurred and half-speed, and "If I Knew What to Say" eventually collects itself into a surreal, lush synth-heavy slowcore rumination.

Also worth mentioning is that Thom - Mr. Burial himself - put this split out on his Music Ruins Lives label, which is ideologically my best friend-turned-record company and has already put out a few really worthwhile releases (including a Have a Nice Life cassette and a full-length by blackened genre-mockers Airs), so pay attention and don't miss anything.

MUSIC RUINS LIVES

Tuesday, May 19, 2009

SHOW REVIEW: Wolves in the Throne Room w/ A Storm of Light, Krallice, & Thrones

Alright, updates should be back to normal now that, as of tomorrow, my school year is done (finally). And yeah, Tuesday updates aren't "normal", but I know all 4 of you are pining for something new to sate your need for my inimitable prose.

Normally, we all know the role of an opening band: to waste time before you get to see the band you paid to see. Ok, or bands the headliner respects and wants to expose to a wider audience, whatever. But by and large, these are not particularly groups you care about (my last show review completely notwithstanding, mind you.) Well, and to break some internal structure and acknowledge those last parentheses, this line-up was another exception: thee almighty eco-friendly epic black metal ensemble Wolves in the Throne Room, supported by A Storm of Light, Krallice and Thrones (just in case you didn't read the title, natch.)

A Storm of Light are a Neurosis-worshipping trio who, unsurprisingly, feature the ex-visuals... guy (visualist? visionary? visionsman?) from Neurosis themselves, who has also served stints in Red Sparowes and Battle of Mice, so the sludgy-credentials here are at waste-thick ooze out ofthat scene in Saw III with all the pig guts. (Which reminds me, I just saw Saw V, and how bullshit was that? (Along with Saws II-IV, mind you (but I digress!). Part of me wanted to think "oh my god, this is going to be so boss! And this album art is bomb, too, this will be the best damn thing since Isis!", while part of me knew that "all of these post-Neurosis bands are the same, ugh." Well, the latter turned out to be true, and while the female guest-vocals gave them some distinction, its by-and-large the same pseudo-atmospheric dirge tuned to drop-whatever.

(However, I did pick up their gorgeous Primitive North split with Nadja for a cheapo $20 (and you all laughed when I put off buying it!) and it's definitely worth your time, especially for the sidelong Nadja blissy, fuzzed-out drone that they do oh so well.)

Krallice were definitely set to impress, too, since they're the closest thing to a black metal supergroup since the short-lived Twilight, although curiously none of the members have any blackened credentials: the "ex-member of..." rollcall includes Astomatous, The Flying Luttenbachers, Orthrelm, and, inarguably the biggest draw, Colin Marston, of Behold... the Arctopus and several more-or-less interchangeable post-everything tech-wank bands. While I expected some sort of iffy, tech-black sort of deal, I was pleasantly surprised that there was nothing overly showy and the emphasis was on fierce, riff-heavy black metal. Shame about the minor sound problem (the vocals would overpower the stage-right speaker), but done well enough to spark my interest in the band. Well done.

By this point it seems like I could devote an entire entry to just listing the former projects of the acts on this bill: take Thrones, the solo project of Joe Preston. It would probably be easier to list the bands he hasn't worked with, but his resume includes tenures with the Melvins, High on Fire, Earth and Harvey Milk. And when you've played jackhammer on a Sunn O))) track, then no one will ever question your bad-assery again (and since apparently a bunch of you are questioning just how boss this guy is, he's loaded his everything with fucking bears.) Stylistically he was the odd-man out, opening with a lengthy drone/doom sort of thing that audibly confused some of the crowd, but this sort of thing is right up my alley, and goddamn did he make an oppressive layer of noise just looping his bass and fiddling with some samplers. Immensely powerful drones, followed by some extremely Melvins-esque "stoner rock" or whatever the tag is that one gives meaty-sounding, low-end heavy hard rock.

And finally, Wolves in the Throne Room have come out of whatever backstage ritual they were performing before the show and... well, carry it onto stage, as they dimmed the lights, lit candles, and cranked the fog machine to 11 to create a wicked atmosphere; this is how black metal is meant to be heard. For a bunch of outsider pseudo-hippies, Wolves can, to put it lightly, tear your fucking head of with raw black energy. Incredibly tight and remarkably aggressive compared to some of their recorded output, they were able to get heads a-banging' more thoroughly than any other band on the bill. (As a side note, $15 shirts are definitely the way to go; way to go, guys.)

For an open-minded metalhead, I'd dare you to find a better evening for $18.

Monday, April 6, 2009

Black metal ist kalt

Metal is fucking ridiculous. You know, I know, metal fans know it. I don't mean this in a negative way, but it's really fucking ridiculous. Power metal is fantastically whimsical, death metal is laughably brutal, and thrash metal is practically a cartoon.

But nothing whatsoever can match black metal (bolded for emphasis/grimness.) The attitude, the aesthetic, the fashion...
hell, it almost feels as style-conscious as the "scene/emo/whateverthefuck" 'movement'. It's gotta be grim, it's gotta be frostbitten, it's gotta be so invertedly necro and recorded in your basement onto a limited edition tape that if it isn't, you're a fucking poser so go listen to Job For a Cowboy you fucking gay-ass poser scum FUUUUUUUUCKKKKK HOLY SHIT I HATE YOU YOU SUCK SO MUCH.

(Admittedly, this fervour has died down somewhat in recent times; acts like Darkthrone and Satyricon are looking more like angry old men then costumed servants to Satan, and newer bands like Nachtmystium and Wolves in the Throne Room look downright friendly.)

Nonetheless, this sort of attitude means a lot of black metal is shitty, sloppy, aimless, indistinct, blast-beaten nonsense. So when bands come along and try something new, something a little more grandiose, with a little more thought and a little more effort (well, make it a lot more), a lot of people absolutely lose their shit (see: Deathspell Omega, Wolves in the Throne Room, etc.) However, one of my favourite black metal releases in the last few years (and, in fact, one of my favourite metal releases) is just well-written straight-up black metal: no keyboards, no female vocals, no extended ambient passages. Fucking I.C.E.



Imperial Crystalline Entombment, comprised of Mammoth, Blizzzard, IceSickKill and Bleak (yes, really), are pretty much a pure black metal ensemble hailing from the frostbitten fjords of Waldorf, Maryland ("pure" meaning guitar + bass + drums + vokills, not "pure" in the Aryan, National Socialist Black Metal way(see: Gestapo 666, Slave Whipping Blasphemy, etc.) What sets them apart is that they actually put noticeable time and effort into songwriting. There are choruses, there are vocals, there are hooks, and they do it all without dipping into "melodic black metal" territory. The lyrics are a tongue-in-cheek (?) story about the coming of Ravaskeith, and his bringing of an apocalyptic end in white. While the subject matter is ridiculous (word of the day!) and the lyrics not particularly deep/meaningful, they are written with... get this... metre and rhyme. The syncopation of the vocals and the rhyming does wonders when it comes to making a memorable, satisfying experience.

Mammoth rise in winter guise,
Take this child to the frozen side,
Empty human born of flesh,
Throw him, to the cold white death!


Buy it if you like it.

M4As, sorry:
I.C.E. - Hypothermic Possession
I.C.E. - Cascade Cavern Catharsis

Wednesday, February 25, 2009

Holy hell, I am slow with updates.

Even though an overwhelming 3 people read my last entry, I am compelled to do another one. Sorry it took so long, all of you cats waiting for a new 'un; school, work, etc, etc. You know how it is.

Anyways, not too long ago I was able to track down a vinyl copy of Half-Eaten Guitar by Wyrd Visions. The LP was released some 2 years ago to only 350 copies, and I was able to find one brand new at Rotate This which made me sort of sad that it hadn't sold out. Then again, I first heard this chap back in October when he opened for Mount Eerie, so I shouldn't be chastising anyone's laziness regarding this record.



I don't know quite how to classify what Colin Bergh does under this moniker. I mean, sure, it's acoustic, that's a start; it's not exactly folk, mind you. Black metal? Ergh... yeah, actually. Acoustic minimalist black metal? Post-black metal? Fuck it.

Live, these songs are all done through an extensive loop pedal work out, and it feels the same on record: layers and layers of fairly simply phrases. The "riffs", if they may be called such, are undeniably black metal, just slowed down and played sans buzzsaw distortion. His cover of Mayhem's "Freezing Moon" really puts it all into perspective, and then you notice the ultra br00tal crescent moon/inverted cross artwork... the pink throws you off, don't it? And you wouldn't think the innocently titled "Air Conditioning" would be a full-on distortion black metal piece a la [Burzum's] "The Crying Orc", but there you go.

Anyway, if you can focus for a period of time longer than 5 minutes, give this track a listen and then buy the album (the CD is still in print.)

Wyrd Visions - Bog Lord